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    Technical Filters

    Precision light control is the backbone of visual storytelling. Our technical filters solve common lighting problems—correcting color temperature, shaping intensity—for professional, consistent results. Used by cinematographers, gaffers and lighting designers, and popular in architectural lighting, research and conservation.

    Color Correction: Tungsten to Daylight, Daylight to Tungsten, Tungsten to Fluorescent, plus Plus Green/Minus Green fine-tuning.

    Light Shaping: Soften shadows with Diffusion; cut intensity with Neutral Density.

    Studio Essentials: Replicate cityscapes with Urban Effects; manage spill using Reflectors and Scrims.

    Light Protection: UV Gels block ultra-violet light to prevent fading in galleries and museums.
     

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    • Quick View 444 Eighth C.T.Straw Lighting Gel 444 Eighth C.T.Straw Lighting Gel

      444 Eighth C.T.Straw Lighting Gel

      Important Notice: this item is nonreturnable.LEE 444 Eighth CT Straw Lighting Gel.  Converts 6500K to 5700K daylight to tungsten light with a yellow bias. Full technical specifications for 444 Eighth...
      $12.00
    • Quick View 642 Half Mustard Yellow Lighting Gel 642 Half Mustard Yellow Lighting Gel

      642 Half Mustard Yellow Lighting Gel

      Important Notice: this item is nonreturnable. Half strength Sodium light effect, designed for use with daylight sources. Full technical specifications for 642 Half Mustard Yellow can be found here Manufactured...
      $12.00
    • Quick View 650 Industry Sodium Lighting Gel 650 Industry Sodium Lighting Gel

      650 Industry Sodium Lighting Gel

      Important Notice: this item is nonreturnable. LEE 650 Industry Sodium Lighting Gel. Used on tungsten to blend with sodium light.   Full technical specifications for 650 Industry Sodium can be found here....
      $12.00
    • Quick View 651 HI Sodium Lighting Gel 651 HI Sodium Lighting Gel

      651 HI Sodium Lighting Gel

      Important Notice: this item is nonreturnable. Used on tungsten to create a High Pressure Sodium look. Full technical specifications for 651 HI Sodium can be found here Manufactured in the...
      $12.00
    • Quick View 717 Shanklin Frost Lighting Diffusion

      717 Shanklin Frost Lighting Diffusion

      Important Notice: this item is nonreturnable. LEE 717 Shanklin Frost  Lighting Gel. 201 with frost to soften the beam of profile units. Full technical specifications for 717 Half Shanklin Frost ...
      $12.00
    • Quick View 718 Half Shanklin Frost Lighting Diffusion 718 Half Shanklin Frost Lighting Diffusion

      718 Half Shanklin Frost Lighting Diffusion

      Important Notice: this item is nonreturnable. LEE 718 Half Shanklin Frost  Lighting Gel. 202 with frost to soften the beam of profile units. Full technical specifications for 718 Half Shanklin Frost ...
      $12.00
    • Quick View 742 Bram Brown Lighting Gel 742 Bram Brown Lighting Gel

      742 Bram Brown Lighting Gel

      Important Notice: this item is nonreturnable. LEE 742 Bram Brown Lighting Gel. Dirtier than 156 Chocolate, good for skin tones. Dims well and doesn`t go pink at low light levels....
      $12.00
    • Quick View 744 Dirty White Lighting Gel 744 Dirty White Lighting Gel

      744 Dirty White Lighting Gel

      Important Notice: this item is nonreturnable. Correct a daylight source to an off white tungsten source. Used with a tungsten source provides a dingy effect like a smoky bar. Full...
      $12.00
    • Quick View LEE Filters 747 Easy White Lighting Gel 747 Easy White Lighting Gel

      747 Easy White Lighting Gel

      Important Notice: this item is nonreturnable. Primarily developed for fluorescents to ensure warm, comfortable light and flattering skin tones. Full technical specifications for 747 Easy White can be found here...
      $12.00
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    Showing: 49 - 57 of 57

    Creative Uses

    Primarily used by cinematographers, gaffers, and lighting designers to achieve precise control over light sources. They are essential for anyone needing to balance color temperatures, reduce intensity without changing color (ND), or block specific wavelengths like UV in architectural and scientific settings.  

    • Color Temperature Blue (CTB) Converts Tungsten to Daylight. Used to "cool down" warm sources to match natural light. Available in 7 strengths: 200 (Double) through to 218 (Eighth). 

    • Color Temperature Orange (CTO) Converts Daylight to Tungsten. Used to warm up cool sources or flatter skin tones. Includes 207 and 208 (CTO combined with ND) to save time and reduce waste. Available in 8 varieties: 287 (Double) through to 223 (Eighth). 

    • Color Temperature Straw (CTS) A yellower, more natural alternative to CTO for a "sunny" daylight feel. Available in 4 strengths: 441 (Full) through to 444 (Eighth). 

    • Neutral Density (ND) Essential for controlling exposure and depth of field without changing color. Range: 298 (0.5 stop) up to 299 (4 stops). Every 1 stop reduces light by 50%. 

    • Fluorescent & Discharge Correction Precision tools to match or correct industrial lighting (HMI, Metal Halide, Sodium). Includes: 241-243 (Fluorescent range) and 236 (HMI to Tungsten).

    • Minus Green (Magenta) Eliminates the unwanted green cast created by discharge sources and LEDs to create healthier skin tones. Available in 4 strengths: 247 (Full) through to 279 (Eighth).

    • Plus Green The opposite of Minus Green; adds a controlled green tint to match lighting to existing fluorescent or architectural fixtures. Available in 4 strengths: 244 (Full) through to 278 (Eighth).

    • UV Absorption & Polarisation LEE UV (226 & 213) removes invisible UV energy to clean up whites, while the Polariser gel controls surface glare and reflections at the source. 

     

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