Cinematic lighting isn't about owning the newest fixture. It comes from what you put between the light and your subject. That's the view of US cinematographer Eric Payne, who took us through how he lights a scene, which LEE Filters gels and diffusion he reaches for, and why a roll...

Your new LED lights should feel like an upgrade, but they aren’t creating the desired effect. A room or scene that looks and feels cosy with traditional lighting suddenly feels harsh and clinical. And a space or set that should be bright and energising looks sickly and yellow. The problem...

LEE Filters has expanded its Zircon LED range with six new Color Effect Filters — adding bold, saturated color to a range built specifically for LED lighting.   Turn your white LEDs into a vibrant creative toolkit. No fading—just pure, reliable color. Used in photography and cinematography and to illuminate events, architectural...